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Fall 2024
Features | November 7, 2024
What’s a Note?
In this article violinist David Harrington writes about the first time he heard Zabelle Panosian sing “Groung.”
Fall 2024
Features | November 7, 2024
Finding Julius
Cellist Seth Parker Woods writes about discovering the music of Julius Eastman. 
Fall 2024
Features | November 7, 2024
The Dance of Chance
Composer Tania León writes about her collaboration with ballet dancer Arthur Mitchell.
Summer 2024
Audience members at The Wild Party, an immersive Jazz Age-musical presented by the Denver Center Theater Company.
Features | August 14, 2024
Aiming for New Audiences
The recent study, In Search of the Magic Bullet, analyzes The Wallace Foundation’s five-year effort to help arts organization
Summer 2024
Features | August 1, 2024
A Repertoire to Call Your Own
A teacher training pilot program from CMA celebrates the diverse aspects of chamber music created by contemporary composers.
Summer 2024
A record session for Synthesis: The String Quartet Project, with Ryan Truesdell Conducting, photo by Leo Mascaro
Features | July 24, 2024
Saved by a String Quartet
Ryan Truesdell's homespun commissioning project, born of discomfort, led to a brand-new repertoire.
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