Chamber Music Magazine
Chamber Music is the only national magazine dedicated to the art and business of small ensemble music. A benefit of CMA membership, it’s essential reading for everyone in the chamber music community.
Fall 2024
So Long Since I Felt This Way
Ellen Reid discusses crafting work and performing in an environment like no other.
Fall 2024
What’s a Note?
In this article violinist David Harrington writes about the first time he heard Zabelle Panosian sing “Groung.”
Fall 2024
Finding Julius
Cellist Seth Parker Woods writes about discovering the music of Julius Eastman.
Fall 2024
The Dance of Chance
Composer Tania León writes about her collaboration with ballet dancer Arthur Mitchell.
Summer 2024
Aiming for New Audiences
The recent study, In Search of the Magic Bullet, analyzes The Wallace Foundation’s five-year effort to help arts organization
Summer 2024
A Repertoire to Call Your Own
A teacher training pilot program from CMA celebrates the diverse aspects of chamber music created by contemporary composers.
Summer 2024
Saved by a String Quartet
Ryan Truesdell's homespun commissioning project, born of discomfort, led to a brand-new repertoire.
Summer 2024
A World with All These Pieces
American composer Julia Perry’s chamber music works are, 70 years later, being heard on main stages.
Spring 2024
Ted Hearne & Matana Roberts
The composer-performers talk about changing landscapes—for their art forms, their communities, and in terms of the literal la
Spring 2024
The Game Within the Game
The idea of a Video Game Music (VGM) jam session entered my life six years ago, when saxo- phonist Patrick Bartley told me ab